The finest and most genuinely provocative horror movie to emerge in this still very-new century
Simon Abrams is a native New Yorker and freelance film critic whose work has been featured Esquire, the Village Voice and elsewhere.
Simon started his career as an arts critic writing comics reviews for the Comics Journal. He conducted the cover interview with writer Robert Kirkman in issue #289. After writing film reviews for the New York Press and Slant Magazine, Simon wrote film reviews for the Village Voice, an outlet that he now regularly contributes feature interviews and capsule reviews to. This past November, Simon wrote the cover interview with the Wachowski siblings.
Simon has also spoken at a number of panel discussions in New York. This past December, Simon helped to organize and participated in a panel discussion at 92YTribeca on Jean-Luc Godard's King Lear, and in January, Simon spoke at the Museum of Modern Art during a panel discussion on Pier Paolo Pasolini's Trilogy of Life. Simon's currently writing a book on the exploitation of blood and gore on film.
An interview with the one and only Terry Gilliam, director of this week's "The Zero Theorem."
An interview with Woody Allen about his new film, "Magic in the Moonlight."
A history and appreciation of The Texas Chainsaw Massacre on the eve of the re-release of a 4k restored version for its 40th anniversary.
A report on the weekend presentation of "White House Butler Down," J. Hoberman's simultaneous screening of "The Butler" and "White House Down."
Oliver Stone discusses "Born on the Fourth of July" with Editor-in-Chief Matt Zoller Seitz at the 16th Annual Roger Ebert's Film Festival.
Spike Lee speaks on filmmaking, his career, and race after the 25th anniversary screening of "Do the Right Thing" at Ebertfest.
Simon Abrams ranks the films he saw at the 2014 Sundance Film Festival, from best to worst.
Simon Abrams on two sequels: "The Trip to Italy", the sequel to the hilarious "The Trip", and "The Raid 2".
Simon Abrams loves "20,000 Days on Earth", a biographical doc about Australian musician Nick Cave as he wants to be seen.
Simon Abrams goes from gory horror comedy to to earnest dramas about love, growing up and spirituality. Who says Sundance films are all the same?